T\LT WESTPublic Art and the Unwilling ViewerBy Fred Glick, in response to Tilt West’s roundtable on Art in Public Space: Permission and FreedomJun 19Jun 19
T\LT WESTCut the CheckBy Kerrie Joy, in response to Tilt West’s roundtable conversation on Art, Social Justice, and Culture Wars: Creative Practice in a Time of…Apr 11Apr 11
T\LT WESTSubversive Stitch: Craft in 2023By Theresa Clowes, in response to Tilt West’s roundtable on The Art of Craft: Equity, Representation and Contemporary PoliticsDec 6, 2023Dec 6, 2023
T\LT WESTArt in the Age of Social MediaBy Phillip Stearns, in response to Tilt West’s roundtable, “Art Practice in the Age of Social Media”Jul 13, 20231Jul 13, 20231
T\LT WESTBeing With What’s SoBy Katie Wiegman, in response to Tilt West’s roundtable, “The Body as Medium: Somatics in Creation”May 22, 2023May 22, 2023
T\LT WESTOn Collective Terms: Possibilities and ResponsibilitiesBy Leilani Lynch, in response to Tilt West’s roundtable on Artist Collectives and CollaborationFeb 5, 2023Feb 5, 2023
T\LT WESTThere Is Actually Planet B, It Just Won’t Save Us From Climate ChangeBy Kalliopi Monoyios, in response to Tilt West’s roundtable on Fire and Water: The Art and Science of the West in CrisisNov 10, 2022Nov 10, 2022
T\LT WESTWhile We Wait for the OceanBy Joshua Ware, in response to Tilt West’s roundtable on Rethinking Space: Architecture, Land & DemocracyJul 11, 2022Jul 11, 2022
T\LT WESTThe NFT Molotov CocktailBy Emilie Trice, in response to Tilt West’s roundtable on NFTs, Art Markets and Community MakingJun 26, 2022Jun 26, 2022
T\LT WESTAI for Good: Why Artists Are Key to Improving Machine Learning TechnologiesBy Sofian Audry, in response to Tilt West’s roundtable on Art & AIApr 2, 2022Apr 2, 2022